Disposable Monuments , 2018.  First of four photographs from  Disposable Monuments , 2018. Inkjet print, 16” x 24”  This project took shape as part of the  RAIR   res idency in Philadelphia. RAIR gives artists access to materials moving through the

Disposable Monuments, 2018.

First of four photographs from Disposable Monuments, 2018. Inkjet print, 16” x 24”

This project took shape as part of the RAIR residency in Philadelphia. RAIR gives artists access to materials moving through the waste stream at a major recycling facility in Northeast Philadelphia. Disposable Monuments evolved in response to the national dialogue around the removal of Confederate monuments from public places, and became a series of monument-forms created from materials reclaimed from the waste stream. The smaller pallet of obelisks exists as a permanent sculpture, while the process of tipping the large obelisk is recorded only as a series of photographs.

 Second of four photographs from  Disposable Monuments , 2018. Inkjet print, 16” x 24”

Second of four photographs from Disposable Monuments, 2018. Inkjet print, 16” x 24”

 Third of four photographs from  Disposable Monuments , 2018. Inkjet print, 16” x 24”

Third of four photographs from Disposable Monuments, 2018. Inkjet print, 16” x 24”

 Fourth of four photographs from  Disposable Monuments , 2018. Inkjet print, 16” x 24”

Fourth of four photographs from Disposable Monuments, 2018. Inkjet print, 16” x 24”

 Raising the 26’ obelisk into place in the tipping yard.

Raising the 26’ obelisk into place in the tipping yard.

  Disposable Monuments , 2018.  Salvaged wood products and salvaged pallet. 48” x 48” x 90”

Disposable Monuments, 2018.

Salvaged wood products and salvaged pallet. 48” x 48” x 90”


  Disposable Monuments , 2018.  Detail

Disposable Monuments, 2018.

Detail

  Disposable Monuments , 2018.  First of four photographs from  Disposable Monuments , 2018. Inkjet print, 16” x 24”  This project took shape as part of the  RAIR   res idency in Philadelphia. RAIR gives artists access to materials moving through the
 Second of four photographs from  Disposable Monuments , 2018. Inkjet print, 16” x 24”
 Third of four photographs from  Disposable Monuments , 2018. Inkjet print, 16” x 24”
 Fourth of four photographs from  Disposable Monuments , 2018. Inkjet print, 16” x 24”
 Raising the 26’ obelisk into place in the tipping yard.
  Disposable Monuments , 2018.  Salvaged wood products and salvaged pallet. 48” x 48” x 90”
  Disposable Monuments , 2018.  Detail

Disposable Monuments, 2018.

First of four photographs from Disposable Monuments, 2018. Inkjet print, 16” x 24”

This project took shape as part of the RAIR residency in Philadelphia. RAIR gives artists access to materials moving through the waste stream at a major recycling facility in Northeast Philadelphia. Disposable Monuments evolved in response to the national dialogue around the removal of Confederate monuments from public places, and became a series of monument-forms created from materials reclaimed from the waste stream. The smaller pallet of obelisks exists as a permanent sculpture, while the process of tipping the large obelisk is recorded only as a series of photographs.

Second of four photographs from Disposable Monuments, 2018. Inkjet print, 16” x 24”

Third of four photographs from Disposable Monuments, 2018. Inkjet print, 16” x 24”

Fourth of four photographs from Disposable Monuments, 2018. Inkjet print, 16” x 24”

Raising the 26’ obelisk into place in the tipping yard.

Disposable Monuments, 2018.

Salvaged wood products and salvaged pallet. 48” x 48” x 90”


Disposable Monuments, 2018.

Detail

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